He knows Germany and the world and is correspondingly well networked. Monika Grütters, Germany’s cultural minister, said in a statement, “Thanks to his many years of experience in with globally important art museums, Klaus Biesenbach brings impressive international expertise to his new role. The museum, housed in a disused factory, went on to organize the first Berlin Biennale, in 1998. In 1991, he cofounded Berlin’s KW Institute for Contemporary Art and later became its first director. An opening date from the museum remains uncertain-reports from 2019 pegged it at sometime around 2026-though the rising costs of erecting the Herzog & de Meuron–designed building (currently estimated at $450 million) have aroused the suspicion of many Berliners.īiesenbach’s new job will see him return to the city that initially made him famous. It is set to house Berlin’s grand collection of modern and contemporary art, which includes significant gifts from collectors like Erich Marx and Egidio Marzona. The long-awaited Museum of the 20th Century is currently under construction and is expected to become a major institution within the Berlin scene. Joachim Jäger, who is currently the museum’s director, oversaw that re-up. It reopened after a six-year-long renovation project that cost $165 million this past August. The Neue Nationalgalerie is considered one of Berlin’s top museums. Photo Christophe Gateau/picture-alliance/dpa/AP Images MOCA said it did not plan to hire another artistic director.Ĭrowds outside the Neue Nationalgalerie during its reopening in August. In a statement on Tuesday, MOCA said, “In light of the changed circumstances resulting from Klaus’ new appointment, Klaus will not serve as Artistic Director of MOCA.” Instead, he would act as an adviser to Burton, who would take on Biesenbach’s duties. The Prussian Cultural Heritage Foundation’s announcement did not say whether he would retain a position at MOCA. His shows drew both massive crowds and the wrath of critics.īiesenbach is set to assume his new post at the Neue Nationalgalerie and the Museum of the 20th Century on January 1, 2022. His appointment was viewed by the museum community as a star hire, given his reputation for doing shows with big names like Björk and Marina Abramović. When he was appointed director of MOCA, Biesenbach was director of MoMA PS1 in New York. The museum’s human resources director also quit, citing a “hostile environment.” Earlier this year, senior curator Mia Locks, who also joined MOCA in 2019, resigned, claiming that the museum was “not yet ready to fully embrace” to her diversity initiatives. When the pandemic began in the U.S., in March 2020, 97 part-time employees were laid off 69 more full-timers were furloughed, and Biesenbach and other members of leadership took pay cuts. Since then, the museum has continued to face difficulties of various kinds. Neue Nationalgalerie Mounts Ukrainian Refugee Fundraiser, Artists Accuse Fashion Firm of Stealing Their Art, and More: Morning Links for March 7, 2022īiesenbach became executive director of MOCA in 2019 during a period of turmoil.
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