Most of all, the facade shatters, and Sentry sees into the present or something like it.Įach time this occurs, it is just as jarring for readers as it is for Bob Reynolds. Sentry's memories start to contradict each other. Within the adventures of the Sentry, things begin to unravel. Eventually revealed to be Franklin and Reed Richards, the tales gradually grow more manic and unhinged, with Reed's red-eyed sleep-deprived yells dipping into outright horror. Opening with a frame story set in the present day, the series is anchored around a young boy asking his dad to tell him bedtime stories about The Sentry. After luring readers into a sense of security over the wacky yellow superhero man, it reveals itself to be arguably the most vital Sentry tale ever told, and one that finally understands the core of the character. Faux retro aesthetics have been deployed in everything from Flex Mentallo to Astro City, to varying degrees of success, which is where The Age of the Sentry's second trick comes into play. Now, while very entertaining and effective, these tricks aren't exactly groundbreaking. It even breaks standard convention with intentional “misprints” with colors extending beyond their inked lines and blurred word balloons. The trick extends to the guest artists, including the likes of Michael Cho and Colleen Coover. Dragotta strips back his usual style to mimic more primal Silver Age figures, draped in flat, bright colors by Val Staples. ![]() ![]() As funny and knowing as Parker and Tobin's scripts are, the real all-stars of the series are undoubtedly the art team. The creative team behind the miniseries used this lack of expectations to try an apparent new angle on the character: embracing the absurd madness of DC's Silver Age that Marvel largely sidestepped, using a blatant stand-in for the Man of Steel.įilled to the brim with goofy characters, like Harrison Oogar, the Caveman of Wall Street, and adventures involving everything from a living star giving birth to the Legally Distinct Beatles being kidnapped by Mole Men, it is an absolute romp. By The Age of the Sentry's arrival in 2008, most readers had given up on the Golden Guardian of Good, and it was a pretty fair call. A kayfabe creation of Stan Lee in Marvel's heydey, the very obvious Supermanalaogue was retconned into Marvel history and became a walking tangle of confusion and misfires throughout his various appearances in the 2000s and slow fade from prominence. Created in 2000 by Paul Jenkins and Jae Lee, The Sentry is a meta-fictional joke given life.
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